Stanton Lanier / Sky Whisper Sound, LLC

Scripture inspired piano to refresh your spirit

Breathing Wonder – New Song Story

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The new song Breathing Wonder just released today, June 1st. You can stream everywhere including Spotify, Apple Music, Amazon Music, Pandora, and all other music services, or listen below. I would love to hear how this speaks to you. As you listen, scroll down to read some of the story behind this piece…

 

If you have known me or my music for a while, seen me live in concert, or read other blog posts, you know that child-like faith and joy are a vital part of my story. These characteristics were present in life’s early years, but from my late teens into my thirties they were deeper down beneath the surface. I had good intentions about growing in my faith, being a good husband and father, having a successful career, and loving and leading others well. However, I took everything too seriously. These goals became more of a burden, which decreased my sense of child-like wonder, awe, and joy. By God’s grace, and through pursuing Jesus more, my life is being transformed, and I have experienced deeper peace and joy in my heart, life, and music as a result.

Breathing Wonder is filled with child-like faith, wonder, and joy. This composition is my first ever marimba concerto, featuring marimba as the lead instrument, supported by chamber strings and choir. I found the themes on the piano, but wanted to elevate the joy and rhythm. The marimba is like a child skipping through life. The main theme is in 7/8 time, which adds to the adventure. The secondary theme is 4/4 time and breathes more, with choir notes inspired by “they’ll take your breath away.” Some beautiful, wild azaleas became the artwork after their “singing” captured my attention on a spring nature walk.

My hope is for you and everyone who listens to be reminded of moments of joy and wonder from your childhood, and perhaps even a recent memory when you felt a sense of amazement at God’s creation or faithfulness in your life. For me, life is an adventure to live instead of a problem to solve. Adventures with Jesus leading the way are quite breathtaking, and filled with wonder. May His joy and wonder be an invitation and blessing to you today!

All together now—applause for God! Sing songs to the tune of his glory, set glory to the rhythms of his praise. Take a good look at God’s wonders—they’ll take your breath away. He converted sea to dry land; travelers crossed the river on foot. Now isn’t that cause for a song? — Psalm 66:1-2, and 5-6 (MSG)

Shout for joy to God, all the earth! Sing the glory of his name; make his praise glorious. Come and see what God has done, his awesome deeds for mankind! He turned the sea into dry land, they passed through the waters on foot—come, let us rejoice in him. — Psalm 66:1-2, and 5-6 (NIV)

How does “Breathing Wonder” inspire you?

Circle of Quiet (Solo Piano)

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The new single Circle of Quiet (Solo Piano) just released April 13th and can be enjoyed across all music streaming services including Spotify, Apple Music, Amazon Music, and Pandora. The PDF Sheet Music is also available.

This solo piano piece has a simple message. I definitely need a “circle of quiet” in the midst of a busy, hurried, and noisy world, and I am thinking that having a few quiet moments in your life would be a blessing to you as well. Here are a few thoughts I was having as I composed the notes.

The song has four sections with varying lengths, all of which were created to help bring the listener some moments of peace and quiet. Section 1 (0:00 to 0:54) is the opening minute with a gentle introduction and opening verse melody that helps to still our minds and invite us into a “circle of quiet.” Section 2 (0:55 to 1:47) reveals the chorus, which desires to sing a gentle song and rhythm over our lives, helping us to slow down. A higher transition melody answers the chorus to bring us back to the verse melody. Section 3 (1:48 to 2:46) plays the intro verse melodies again, but in a different way, with two lower left hand chords arpeggiating and alternating, then repeating and leading us to anticipate the return of the main theme. Section 4 (2:37 to 4:40) features this chorus, followed by the transition melody being played even higher. Then the chorus repeats once more, taking us, as C.S. Lewis would say, “further up and further in” toward heaven, our true home, the ultimate “circle of quiet” (and source of peace, hope, joy, wonder, etc.). The high transition melody guides us toward a soft ending, which references elements of the notes we have heard along the way. Each section is divided by long rests of 2-3 seconds to help us experience the blessing and refreshment of a “circle of quiet,” which is God’s gift to us when we put our trust and hope in Him.

Psalm 94:12-13 — “How blessed the man you train, God, the woman you instruct in your Word, Providing a circle of quiet within the clamor of evil…”

How does “Circle of Quiet (Solo Piano)” speak to you?

All Around and Deep Within

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The new single All Around and Deep Within released March 23rd and has already been enjoyed in fifty countries, with some of the top listener cities being in Brazil, Australia, Taiwan, Finland, and Spain. You can stream from your favorite music service including Spotify, Apple Music, Amazon Music, and Pandora.

The ethereal piano, harp, and symphony orchestra are rich with emotion, expressing the breadth and depth of God’s great love toward us (1 John 4:14-16). This is the overall idea, and down below are more insights into the meaning behind the music. 

There are two themes. At first I thought the opening Theme A was the verse, and Theme B was the chorus. However, during the creative process each section became a chorus of its own. Theme A is the “all around” and Theme B is the “deep within” of God’s love for us.

Theme A symbolizes the time period from eternity past all the way through the Garden of Eden with Adam and Eve. It begins all the way back in the dark void of the universe, before Creation. Musically God begins to paint His creative “brush strokes” across the universe. He ultimately breathes life into Adam and Eve, who live in the midst of His pure love and presence before they disobeyed and sinned against Him. The big, low bass strings are constant like the “all around” of God’s great love, which has existed all the way from eternity past. The melody on the harp and ethereal piano represent the simplicity and purity of God’s love, and the innocence of Adam and Eve receiving it. Theme A is expressing the “all around” breadth of God’s love surrounding Adam and Eve before the Fall, when their original sin separated them from God.

Theme B’s “deep within” takes us on a journey from the Fall to the end of the Old Testament. The melody is more complex to represent the complications Adam and Eve brought to their relationship with God and His simple love after they first sinned against Him. Their original sin was passed down to us as the Scripture says in Romans 3:23-24, “for all have sinned and fall short of the glory of God, and all are justified freely by his grace through the redemption that came by Christ Jesus.” There is beauty in Theme B, yet there is tension and complexity. God’s perfect holiness encounters our imperfect brokenness. This tension and complexity is a result of my sin and inconsistency in fully trusting God’s unchanging love, grace, and patience toward me. Ecclesiastes 7:29 says, “God made us plain and simple, but we have made ourselves very complicated.”

There are three significant musical rests in the piece, with the first one happening after the opening Theme A and Theme B. This long pause symbolizes the four hundred years of God’s silence from the end of the Old Testament (book of Malachi) to the beginning of the New Testament (book of Matthew). Theme A returns with a bigger and more wonderful version of God’s pure love, adding instruments and melodies for the birth of Christ and His gift of salvation through the New Testament up until the book of Revelation. Theme B follows with its grander version, as we receive more of God’s saving and transforming grace during our lives. This carries us from the New Testament until today, with the “all around and deep within” of God’s love through the centuries.

The second rest represents the waiting time between Jesus ascending to heaven (Acts 1:9) and His second coming to take all who have believed and do believe with Him to heaven to be with Him forever (1 Thessalonians 4:16-17). In the final, shorter section, Theme A and Theme B interweave and overlap musically to signify our sanctification and unity with God through what Jesus has done for us. The third and final shorter rest happens just before the ending chord of the piece. This symbolizes our waiting for the new heaven and new earth to be fulfilled, and the final chord signifies all who are saved being in fellowship with the Father, Son, and Holy Spirit for eternity.

“And we have seen and testify that the Father has sent his Son to be the Savior of the world. If anyone acknowledges that Jesus is the Son of God,God lives in them and they in God. And so we know and rely on the love God has for us. God is love. Whoever lives in love lives in God, and God in them” (1 John 4:14-16).

How does “All Around and Deep Within” speak to you?

The Outlaw Ocean Suite

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I hope you enjoy the promotional video clip below featuring An Unseen World. This is one of my orchestral compositions from The Outlaw Ocean Music Project with award-winning New York Times journalist, and best-selling author Ian Urbina.

The Outlaw Ocean Suite EP has eight tracks (four with journalism audio and music, and four music only). This 2021 release is now streaming on my Spotify, Apple Music, Amazon Music, and Pandora channels and more. Here is some of the story behind the music…

When God stirred my heart to begin composing instrumental music twenty-one years ago, I wanted to be surrendered, and to listen. This meant moving forward by faith, obeying His voice, asking Him for inspiration, and trusting Him with the results. 

Johann Sebastian Bach is my favorite composer. I played a lot of his timeless pieces (composed three hundred years ago) during my twelve years of piano lessons, and high school recitals. Bach’s quote about music may be my favorite too. He said, “All music should be unto the glory of God and the refreshment of the soul.” I didn’t know what the future held, but I began to see that writing instrumental music would be an adventure.

In February 2020 Ian Urbina emailed me to introduce himself and share he was a big fan of my music. He also invited me to be part of a project he had been working on. Ian’s invitation was for me to compose some pieces for The Outlaw Ocean Music Project, which combines music and journalism. This was very exciting for me, and I was inspired and challenged to use my learning from the Berklee School of Music film scoring program to write orchestral pieces for the project.

Composing what became The Outlaw Ocean Suite EP in August-September 2020 was a fantastic musical and spiritual experience for me. Because music is such a universal language, my heart is for listeners to have their own unique encounter with what I create. And hopefully to be inspired in their life. When I write music there is a sense that the melodies are coming down from heaven. Sometimes this happens quickly, and sometimes very slowly. The process is similar each time, but never the same. The only consistent ingredient is the feeling I have when the music is revealed. Here are some thoughts I had as these tracks came together…

An Unseen World. My commitment to Ian and his team was to write three to five pieces. With three completed, I could have stopped, but there was a nudge to attempt a fourth piece. This became An Unseen World, which is an epic theme song for the whole project. It is filled with drama, tension, rhythm, and haunting beauty. The full orchestra contributes to the musical journey, which expresses these attributes of life on earth. When life brings moments of drama, tension, beauty, and rhythm (finding my stride) into my story, God is faithful. He surrounds me with His love as I trust in Him, and helps me receive His gift of peace (Psalm 32:10, John 14:27, NIV).

Beauty Beneath. As I read Ian’s book I realized The Outlaw Ocean captures “an unseen world” most of us are not familiar with. I wanted to contrast the illegal and harmful things happening on the world’s oceans with music about the innocent beauty of all the sea life under the surface. For me the melodies reflect the beauty of God’s creation, and a more intimate beauty He offers through His grace and love toward us (Psalm 8, Romans 8, MSG).

Sailing Too Close to the Wind. This seafaring phrase means being on the verge of doing something illegal or improper. It applies to literally sailing too close to the wind (in its direction), but can also refer to taking an ill advised risk with a life decision. The music expresses adventure on the high seas, and the pursuit of ocean outlaws. I was not aware of all the injustice and illegal activity happening on The Outlaw Ocean every day, including lives being enslaved at sea, ships breaking international fishing laws, and worse. Spiritually this track represents my faith adventure with God, and the risk of trusting Him when something seems impossible (Luke 1:37, Philippians 4:6-9, MSG). As C.S. Lewis wrote in The Chronicles of Narnia, “Aslan is not a tame lion… He isn’t safe, but He is good.”

Lost on the Seven Seas. This piece is a sad and mournful tribute to lives being abused or killed at sea because of the injustices happening on The Outlaw Ocean. Pain and suffering are part of life, sometimes preventable and sometimes out of my control. These are difficult times when they happen to me personally, those I love, or even a stranger, when circumstances pierce my heart and prompt me to pray. I describe my life and music journey as a God-Story because I cannot imagine life without Him. I have seen Him come through for me, and I have experienced His silence when I longed to know His presence. He always lets me know He is there even when it doesn’t feel like it. The sadness of this composition implies God’s care for the brokenhearted. It also symbolizes hearts who are rejecting God consciously or unconsciously, even though He loves them and is reaching out to them (Psalm 34:18, John 3:16, NIV).

Which track is your favorite or speaks the most to you?

Beethoven’s Moonlight Sonata

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My performance of Beethoven’s Moonlight Sonata released worldwide on January 26, 2021. Sample and stream on Spotify above, or any music service including Amazon Music, Apple Music, and Pandora, or listen directly below.

 

I hope you enjoy my thoughts down below as I share a little about the history of this timeless classic, my experience with the music, and how these inspired my version…

This popular Ludwig van Beethoven composition for piano was composed in 1801 in Vienna, Austria. Moonlight Sonata became part of my life at age fourteen. Its full name is Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 (Sonata Quasi Una Fantasia). When the first movement, Adagio sostenuto, entered my story this classical piece became one of my favorites in high school as I learned and memorized it to play in some recitals and as part of a program to be judged and critiqued. J.S. Bach is my all-time favorite composer, but I also enjoyed playing famous pieces by Beethoven, Chopin, Mozart, and more.

Over the years, every now and then, I would get out my original, classical piano book with tattered pages and play through Moonlight Sonata just for fun. The idea of recording my performance was in the back of my mind for a while, and came to the forefront in the early fall of 2020. In November I was ready to take this project on, and now the world gets to hear the result.

I had forgotten Beethoven composed this in Vienna. My family and I took our first overseas trip together in December 2014. Our favorite movie is The Sound of Music, so we wanted to visit Salzburg and tour several of the filming locations. We landed in Vienna on Christmas Eve, and attended a standing room only Christmas Eve service at St. Stephen’s Cathedral in the heart of the city. Even though the speaking was in German, we could feel the miracle and hope of Christ’s birth in the air. The symphony, choir, and organ music was breathtaking to hear as we soaked in the moment. The favorite photo I captured inside the cathedral became the above artwork for this new single.

At the opening of Moonlight Sonata’s first movement, Beethoven included the following direction in Italian: “Si deve suonare tutto questo pezzo delicatissimamente e senza sordino” (“This whole piece ought to be played with the utmost delicacy and without dampers”). The way this is accomplished (both on today’s pianos and on those of Beethoven’s day) is to depress the sustain pedal throughout the movement, or at least to make use of the pedal throughout, but re-applying it as the harmony changes. The modern piano has a much longer sustain time than the instruments of Beethoven’s time, so that a steady application of the sustain pedal creates a dissonant sound, and can overdo what he intended. Also, later in the 19th century the grand piano sounded even better than in 1801.

My unforgettable Christmas Eve inside St. Stephen’s Cathedral and Beethoven’s directions for the performance of this piece converged into the idea to play and record the piece as though I was all alone at concert grand piano in the center of this historic cathedral (construction began in the 12th century, with towers and spires added over the centuries). In my studio I was able to combine a 1951 Steinway D concert grand piano with gentle hints of an old upright piano to recreate an “older” grand piano sound. I wanted the piece to sound like what Beethoven might have heard as he composed this in 1801 in Vienna (he did not fully lose his hearing until later). He would have frequently seen the cathedral in all its grandeur, and I imagined him playing inside. His directions inspired me to be generous in using the sustain pedal, and to use a cathedral sized reverb, which would further provide and enhance the “blur” effect which he intended for the piece.

Emotionally, the music is very sad, yet it is also hauntingly beautiful at the same time. Beethoven’s genius in creating this fantasy world in the key of C-sharp minor has and never will be duplicated. It is magnificent, and for me symbolizes God’s beauty and hope in my life even when I am sad, or going through a difficult time. I pray you are touched and moved in a meaningful way as you listen to my version of Moonlight Sonata.

Quiet Revelation New Song

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The new song Quiet Revelation releases worldwide Tuesday, July 28, 2020. You can listen below, and stream on all major services including Spotify, Apple Music, Pandora, Amazon Music, etc. Scroll down to see some inspirational thoughts…

This new song Quiet Revelation happened within a few days in late June 2020, and was completed much faster than usual. The idea I wanted to express was very clear in my mind, but how would the music take shape? I personally need to invest time regularly to slow down, quiet my mind, be still, and listen. When I compose music there is a sense of the melodies coming down from heaven. It feels like God already knows the tune, and He reveals it to me through quiet revelation. The song name and theme invite you to listen for some kind of quiet revelation you may need in your life and faith right now.

A chamber string orchestra plays beautiful chords and swells as the harmony foundation. The piano carries the melody, and is gradually joined by cello and later French horn as the chorus builds and repeats. A gentle choir and more symphony strings join the chamber orchestra to enrich the harmonies underneath, as verse and chorus melodies build emotionally. All of these musical textures symbolize the wonder and diversity of words God wants to say to us, and songs He wants to sing over us.

Relax, close your eyes, and invite your heart, soul, and mind to be blessed with Quiet Revelation. “I love your clear-cut revelation. You’re my place of quiet retreat; I wait for your Word to renew me.” (Psalm 119:113-114, MSG)

How does “Quiet Revelation” speak to you?

Twenty Years of Composing – Grace and Truth

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It is hard to believe I composed my first instrumental melody twenty years ago (click above to listen with Spotify as you read). In May 2000 I had a new keyboard and basic studio set up. God inspired the idea to use a verse of Scripture as the basis for an instrumental song. The first melody was titled Grace and Truth from John 1:14, “The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son, who came from the Father, full of grace and truth.”

This idea leading to my first instrumental has become more and more profound over the years. Below are a few thoughts about this song, and what it has meant to my life and faith journey. I hope these reflections inspire your story.

Grace and Truth is in the key of C, which made it easier to compose and play. It begins with delicate verse variations to represent how grace is gentle and tender. The chorus is big and bold with low chords to express truth. This is followed by a new grace melody with higher notes flowing down. The truth chorus repeats again. Then the original grace melody returns and ends the song. It became the seventh track on my first album Walk in the Light.

This amazes me how grace comes before truth in this verse. As my desire to study Scripture grew in the 1990s, I didn’t realize my heart was filling with more truth than grace. In the 2000s God began to teach me to have more grace and forgiveness toward people. He was gradually helping me to see every person as He sees them, and to love them with His love, as He first loved us. In my life and faith story grace has been catching up with truth. Today both grace and truth are filling my heart more and more. For many years I lived life with more of an either or perspective, where either grace or truth was the lead story. In my case truth carried more weight than grace. This made me quietly more self righteous and judgmental with regard to others, even though I was just as unrighteous and sinful in God’s eyes. Only Jesus is filled with one hundred percent grace and truth, but He invites us to grow in receiving and sharing both with others through our lives.

The Lord has been so patient with me. His grace is an amazing gift (Ephesians 2:8). His truth is perfect, refreshing my soul (Psalm 19:7). My life and musical journey with grace and truth is woven into all one hundred forty songs I have composed and arranged over the past twenty years. I hope my music and story continue to be a blessing and encouragement to you!

How does the music and inspiration behind Grace and Truth speak to you?

Perfect Peace New Song

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Click below to hear the new song Perfect Peace with beautiful, peace-filled piano and cello (released April 28). Stream on Spotify, Apple Music, Pandora, Amazon Music, and more. For pianists you can also purchase the PDF Sheet Music.This Swiss Alps photo I took last year is the background for the song artwork. Please see underneath the image to read some inspirational notes…

During these historic and unprecedented weeks of the global coronavirus pandemic, I have been meditating on Isaiah 26:3 which says, “You keep him in perfect peace whose mind is stayed on you, because he trusts in you” (ESV). The Amplified Bible says, “You will keep in perfect and constant peace the one whose mind is steadfast [that is, committed and focused on You–in both inclination and character], Because he trusts and takes refuge in You [with hope and confident expectation]. Meditate on these words as you listen. It is a powerful combination to take in the Scripture inspired piano and Isaiah 26:3 together.

If you are interested in more of the “behind the scenes” story for this song…it took a couple of weeks for God to reveal. The piano begins by slowly singing the notes for “Perfect Peace” two times (each word is two syllables, musically). Then the notes sing “You keep him in perfect peace.” This phrase becomes the verse portion, which appears several times throughout the song. The chorus portion starts with rhythmic notes, and was inspired by the words “whose mind is stayed on you, because he trusts in you.” The chorus answers the verse as a response to the perfect and constant peace God promises us when we fully trust and take refuge in Him. It was a beautiful blessing from God to finish this song a few days before we remember Jesus’s life and death, and celebrate His resurrection. Jesus, the Prince of Peace, is our ultimate Perfect Peace, who saves us from our sin, and gives the gifts of resurrection and eternal life to all who believe.

How does the music and theme of Perfect Peace sing over your life today?

Chasing Splendor New Song Story

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Today is the worldwide release of the new song CHASING SPLENDOR, an epic, cinematic instrumental. Listen on Spotify, Apple Music, Amazon Music, Pandora, YouTube Music, and more. This song has over forty tracks and is filled with adventure and awe. I am passionate about including these two experiences in my life, and hope you can feel adventure and awe in the music. Below is some of the story behind the composition. To see more about the song’s inspiration read my earlier post Chasing Splendor.

I composed this like a film score because our life stories are like an epic movie on the big screen. The world is watching and every life we touch matters. CHASING SPLENDOR opens with a big movie chase “scene” featuring rhythms, strings and brass (“God’s beauty and love chase after me every day of my life” – Psalm 23:6 MSG). Then the first splendor movement is revealed with pianos, keyboards, choirs, strings, electric guitar and soundscapes. The chase returns with more intensity as a symbol of how passionately God pursues us with His beauty and love, and the grace and forgiveness He so wants us to know. This brings us to a second splendor movement that evokes an even deeper sense of awe as we soak in the beauty (“Your beauty and splendor have everyone talking; I compose songs on your wonders” – Psalm 145:5 MSG).

Musically, as the splendor continues, elements of the chase return (rhythms, string, and brass parts), but in a new way. The chase is now in sync with the splendor. The chase has become more gentle, joining the splendor together as one. The song finishes with a climactic, powerful drum boom. As God chases us, if we open our hearts to trust Him and surrender, the splendor He sees in us begins to shine. Jesus wants to display His splendor uniquely through us as we trust and obey Him. This process takes time and is lifelong, but we have the opportunity to see His splendor grow and flourish in our lives. The irony is that greater splendor comes from deeper surrender. We must rely on God’s all powerful strength through us, instead of our own limited strength.

How does CHASING SPLENDOR speak into your life and story today? 

Chasing Splendor

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Chasing Splendor is the title of a new cinematic instrumental releasing in a few weeks. The musical idea has been taking shape in my mind for a good while. There is powerful meaning and symbolism behind Chasing Splendor which encourages me, and I hope will encourage you (the composition and recording features forty tracks). I plan to share more inspiration once this new single releases on all the music streaming services (Spotify, etc.). Below are two life applications for now…

1. God is Chasing Me and You. Psalm 23:6 says, “Your beauty and love chase after me every day of my life…” (MSG). These words from David to God are heartfelt. They flow from his experience of God as a trustworthy Shepherd and Guide in his life. Do you sense God and Jesus pursuing you sometimes? I do, but not as frequently as He actually is chasing after me (every day of my life). This chase is much more epic than it seems in our day to day routines. Life is like a great film and the author and director is God our Father. He loves us and forgives us so much. He has such amazing plans in store for us. He wants us to trust and obey Him, to “ask boldly” for His direction and favor (as I shared in January’s post How are You Dreaming Big for 2020 ?). Contrary to our human way of thinking, we must yield to the chase. We must surrender our striving to God, and seek to wait, walk, and run in stride with His plan and His timing. Are you yielding to His pursuit?

2. God Sees Splendor in Me and You. Psalm 145:5 says, “Your beauty and splendor have everyone talking; I compose songs on your wonders” (MSG). People exclaiming over God’s splendor, and the lavish splendor of His kingdom are written in verses 11 and 12 of this same Psalm. I cannot produce splendor myself. My sin and imperfections produce a broken view that my life is not worthy of God’s splendor. Yet God sees splendor in me, even when I don’t feel it. If we have trusted Jesus to bring us from death to life, and believe in Him by faith, the same power that raised Him from the dead lives in me and you. His splendor lives in me and you. God wants to display His splendor to a watching world through our lives. He is chasing us down, chasing this splendor out of us, so to speak. When we yield to the chase, we begin to notice His splendor more in us and around us. Does His beauty and splendor have you talking?

Which one of these speaks most to you today? God chasing you, or God’s splendor being on display in your life?